Matangi - The Creative Process

This week’s yoni yoga focused on Matangi, one of the ten Mahāvidyas, who has been associated with creativity and the creative process. I like Matangi. I like all the Goddesses really, they’re each relevant at certain moments in our lives, but there’s something about Matangi which talks to me, especially at this time.

As Uma Dinsmore-Tuli writes, “Matangi is the outcaste or ‘untouchable’ poet who stands at the edges of conventional society. She is a visionary, wild and free from social constraints of any kind. She is associated here with manifesting the śakti, (powerful energy) in creative expression. Her special siddhi is the capacity for abundant creativity and the expression of unique vision. 

To access this siddhi requires a consciously surrendered participation: for to create and manifest anything, be it a book or a dinner, a yoga festival or a vegetable garden, requires that we surrender entirely to the cyclical processes of creativity. Creativity may involve ecstatic outpourings that are joyous and free, but it always also involves spending time in uncertain places which are frightening and unknown, times when all there is to do is wait (for the seeds to germinate, for the bread to rise, for the editor to get back with the comments on the manuscript). All these aspects of creativity are part of the process. Matangi’s great power is to be equally at home in all of these phases.”

All of life, at all times, is unknown and uncertain, but never has this been highlighted to us more so than now during an outbreak of coronavirus and the resulting lockdown where life as we knew it has stopped, at least for now. We are reminded that all of life is uncertain and unknown and this is difficult for people because it brings up inherent fears, all sorts of fears, around personal safety and stability in an ever changing world. We crave solid ground, something concrete, something that we can anchor ourselves too; in short, something known.

 The creative process thrives on uncertainty and it thrives on those places that can’t always be known. It takes us into those uncertain and unknown places too, where we don’t know if we can do it, create it, write it, paint it, grow it, bake it, plan it, make it. And yet there are times when we know we have to create for our very survival, write, paint, grow, bake, get on with it, express that part of ourselves demanding our attention whether we’re ‘good at it’ or not. 

As a child I loved creative writing, and as a teenager I enjoyed writing poetry. I attempted writing a book but never got to the ending. At university I stuck with poetry, usually late at night when I was all alone, in that quiet and still time when others are asleep and the air is stiller somehow, smoking cigarettes or joints, making drinking wine, listening to Native America Indian music or Deep Forest or Pink Floyd, something that took me to a deeper part of myself, that was craving expression, my soul perhaps.

After university I joined ‘the real world’, as I was told, and any hope I had of making a career out of writing was short lived, there was a finance job instead, with professional exams and therefore endless studying that didn’t allow time for creative writing or much poetry.  There was still poetry though. Generally drunken, despairing poetry, the soul dropping farther and farther away so that I barely recognised myself anymore, I’d even cut my hair short, corporate haircut. 

Depression slipped in, it’s no surprise, I’ve always had a feeling the depression was the darkness of a life devoid of soul and creativity, suppressed, not allowed expression, dead to the world, treading water, heart sunken, joyless, even the poetry dropped away for a bit, tortured soul, breathe. PMS settled in, I wrote about this in the Tārā post, hormones all over the place, the creative voice deep within yearning for expression; the soul expresses itself creatively, is manifest in this world. 

Yoga arrived finally and Reiki soon too, brought about by marathon running and the depression that overwhelmed me, and I’m grateful to whatever it was that called that in - we have to ask ourselves what is it that connects us to our destiny? It’s like the breathe, what calls that in? I’m grateful to whatever it is, angels, spirit, the sacred...we are all of us connected, energy. Even before then though, as I stated living more of my dream for travel, I started to write again, travel emails home and then an article for the local paper, poetry appeared again, but it was the yoga and Reiki that helped me to get over my insecurity slowly, slowly.

A year into my yoga practice I realised that all I wanted to do was travel the world, practice yoga and write about it, and that’s basically what I did for ten years, until Elijah appeared but even then we still kept travelling so I could practice and write about it. By then I had published articles in a couple of yoga magazines and other publications, but I still hadn’t managed to write a book, the ultimate dream, which lay heavily on me, felt like a weight, would I ever manage it one day?

I’d written the first draft of Namaste by then but I’d not taken kindly to the first edit, when the book was really in its infancy and I was in my infancy as an author and I set the book aside, concluded it wasn’t good enough, I wasn’t good enough, without truly appreciating that there is a process to creating and that’s it’s not an altogether easy or straightforward one, which will take you into that void where you just want to give up but you can’t give up, not really, not when you have already invested so much in it. But now I had a child to look after and a job in finance that took a lot of energy. 

It was around then that Uma appeared in my life. I can’t remember the exact details now, which surprises me because I tend to remember those moments where something happens, someone comes in, and life changes. Regardless, I’m grateful to the ‘something’ that connected us, she was the answer to my prayers, bringing with her this beautiful womb yoga practice and yoga nidra. Both practices awoke something in me, made me listen to that deeper voice within that wouldn’t let me give up, that kept whispering in my ear that I needed to get back to writing, regardless of my other commitments, that I needed to prioritise it.

Elijah’s arrival, in my womb, the seat of our creation awoke something too, and even though we had conceived by IVF, there was still a deep creative process, the birth, crickey if ever there is a creative process let alone the pregnancy itself, taking me on a journey that I could never had expected, that was fraught with the unexpected what with the unknown and the uncertainty of full grade placenta previa and a clinical birth in a hospital, where I was gifted the opportunity to truly surrender, but I couldn’t, I kept holding on and on and on, until he was already born and still I held on. 

I was too angry to write, anger suppresses my creativity, dampens my world, as if it puts out the fire that would otherwise burn brightly, causing the words to arrive and arrive, the paradox because fire feeds anger and anger feeds the fire, but not the fire of creative glow, not for me, I need water, watery water, tears are best, so that the words flow from that deeper glorious place, like the waves, no moment the same, timeless, time disappears, the rocks remain the same but the tide moves again, in and out, the moon glows overhead, day and night.

Dropping deeper into that space, creating new life, another pregnancy and by then a whole heap more yoga nidra and womb yoga and another book started to take shape, and then Eben’s arrival into the world. This too a pregnancy journey and a birth that brought with it the unexpected with waters breaking early on a full moon and another clinical birth ahead demanding a deep surrendering, the moon still glowing overhead, dancing in the garden in her light, contracting, and yet knowing it was now time. 

La Gran’mère du Chimquière was visited and she spoke a language that my soul needed to hear. I still can’t be sure what drew me to her, but whatever it is I have learned to trust it, it led me to yoga, to Uma, to answered prayers, the world works in mysterious ways. The deep surrender followed, the letting go, giving in, being with it, a zillion thanks always to Heather Reed for her compassion and kindness, and for being still such a part of my life, there’s a magic that brings people together at just the right time, and this is the creative process. There is a timing. Uma writes about this:

“A crucial aspect of Matangi’s power is correct timing. To maximise the force of her power, the delivery of her observations and/or creative offerings needs to be perfectly timed and placed…It is this aspect of timing that links Matangi so directly to the preceding Mahāvidyā, Kamalātmikā. Because the creativity she manifests, just like the sexual energy liberated by Kamalātmikā, both utterly depend for their power on correct timing. 

Just as there is no point in pressing a woman for sexual intercourse if she is too tired, or too premenstrual or otherwise at the wrong end of her particular cycle, so too there is no point in pushing for productivity in the reflective or evaluative phase of the creative cycle. Both siddhis – the capacity of sexual pleasure to lead us to experiences of cosmic loving connection, and the capacity of creativity to manifest with abundance – have their own particular cycles. Neither the natural flows of sexuality or creativity can be mapped by continuous linear progression. To receive the full power of either siddhi we need to respect the ebbs and flows of the cycles of their power”.

This recognition of the ebb and flow and the cycles of our creative potential is very true and there is absolutely a timing to it. The more I have embraced menstruation consciousness as a spiritual practice, the more I have recognised and embraced my cycle and the creative cycle which is intricately linked, so too then with the moon cycle and the cycle of nature and the ebb and flow of the light. 

Scarvelli-inspired yoga with its emphasis on settling into the unknown and the uncertain has deepened the connection to the inherent creativity, so it has entered a whole other dimension. It’s not that it frees the voice necessarily, although it does do that, but that it frees more of the sacred and the soul and reveals more of that which was previously hidden and stuck and sets it free, beyond any limitation which we might have put in its way, our core beliefs that prevent us living life fully and lead to us trapping ourselves in a conditioned sense of right/wrong and good/bad. It is this that speaks to me when I read about Matangi. As Uma writes:

“In specific relation to the creativity of women, Matangi represents the power of women’s creative voices to overturn or unsettle patriarchal patterns of accepted female behaviours and opinions. She pushes the boundaries and extends the limits of our horizons, so that when we manifest the power of our creative energies we can express what has previously been prohibited or reviled, and we can reveal what was hidden and forgotten…

…Matangi knows the consequences of her revelation: she understands the power of saying what others fear to admit. She is fully aware of the position in which such observations place her and of her role as an object of fear and censure. So Matangi’s voice is brave, and terrifying to those who are constrained by fear to live their lives according to propriety and expectations. She rattles people, pokes holes in their comfortable boxes of convention, and embarrasses the cowed and silent by singing out loud and clear.”

It’s this aspect of Matangi that really draws me to her, stepping out of the box and having the courage and the strength to say it in a way that tries to awaken people and shake them from the binds that keep them enslaved and asleep, that prevents them from questioning and blindly following a path expected of them. We need more women to embrace Matangi and speak their truth, however uncomfortable that might be for everyone else, for patriarchy especially, so subtly entrenched in our society that we don’t even notice it, even us women, a victim to it.

Uma’s sharing is fascinating, for she helps me to see another side, awakens me to the extent that I too am limited by cultural expectations, as she shares: “Sadly, many limits and constraints have been placed by our culture upon women’s creativity. Traditionally almost every dimension of our capacity to create has been curtailed and controlled, with the possible exception of our capacity to birth and mind babies and to make homes and meals for our families and for the families of those who are richer and more powerful than us. Successive waves of feminist activism have brought welcome changes to this state of affairs, and certainly today having babies and cooking are no longer the only spheres of creativity in which women can be expressive. But this is a very recent shift.

Even in the traditionally acceptable spheres of women’s creativity, the domestic realms of childbirth and homemaking, and even now, when you get right up to the top level of power-holding, our culture tends to hand even these womanly expressions of creativity back over to the men and to value their contributions more highly than those of women. For although women may birth babies and midwives may help them, it is the (usually, male) obstetricians who get paid ten times the rate of the midwives, and make the policies in the birthing units and labour wards. 

And though it is mostly women who are making homes and meals at the everyday, mundane level of getting food on the table every teatime and ensuring that the domestic environment is at least relatively non-toxic and that there is somewhere to sit down that is not covered in dirty laundry and Lego, most of the top paid TV celebrity chefs, restauranteurs and folks with their phots on the food packets tend to be men, and most of the wealthiest interior designers and retailers of home-making products, for example the CEOs of global homemaking powers like Ikea and Habitat, tend to be men. All this gives a clear message to women that although we  may be creative in the domestic sphere, out there, what really matters, and where the big money is to be made, it’s a man world, just like everything else, and so to compete with the guys you needs to play the game their way or back out”.

And in the creative field it does sometimes feel as if there is a game to play, at least if you hope to earn any money from it. A few years ago I contacted Hay House publishing about publishing a book, having self-published thus far and I was told that it didn’t matter so much about the quality of the book, but on the number of social media followers I had, and at that time I had none as I had come off all social media so I got a big fat no! There’s a game to be played if you’re up for it, but there’s also another way, our own way, in our own time and with our own voice finding its way. 

There is no doubt that the true creative process will take us into the unknown and the uncertain. The deep creative power that this process may reveal, as we explore more of those deep and luscious places within, will extend the boundaries of existing knowledge and present new perspectives to us that take us into those unknown and uncertain places within us! This can be both scary and messy and yet incredibly liberating, as we discover more of us than we had previously realised, stripping away our conditioning and setting ourselves free. 

This process is not easy, as it breaks down our self-imposed boundaries, our conventional belief system and all we thought was real, the norm then, even if it is not serving us, but its known and certain and gives a sense of stability, until it is broken, so we cultivate courage and we learn to settle into the messiness instead, where life is infinitely more colourful, brighter lived, on an edge of madness and sheer brilliance, to know the soul, like Lalla, and dance, like the moon, in Uma’s words, “a visionary wild and free from social constraints of any kind”, like Matangi, prepared to stand up for what she believes, free, free, free.

 Coronavirus and lockdown especially, with the emphasis on the unknown and the uncertain has ushered in this void of creative potential for those who have stepped away from the fear, the visionaries, those dancing, tapping the edge, exploring more of the space within. This is a time for Matangi, for people to speak up, be wild and free, and I am grateful to her for setting me free, for helping me to give voice to that which others won’t say, and for living life beyond the ordinary, for waking us up if we allow ourselves to be touched by the creative.

If you’re struggling creatively, you’ve written the book but you’re scared to edit it, you’ve drawn the picture but you’re anxious to share it, you have the business idea but you’re scared to turn it into reality, you’re trying to conceive but there’s something stopping you, you’ve turned your hand to baking but you worry others will reject your cakes, you’re keen to get growing but you don’t think you know enough, you’re keen to chant and sign but you don’t think you’re voice is good enough. If there’s some core belief getting in your way, some unhelpful core belief that makes you feel insecure, scared, anxious or somehow worried about your worthiness and how you will be received/judged by others, then you need to look at that.

It’s easy to put your head in the sand and just accept things as they are, but we are all of us inherently creative, it is part of being human and often the only thing getting in our way is us and our own insecurities. So step into them, notice all your excuses, look honestly at them, these obstacles, reframe them and get going, small steps so you won’t get overwhelmed. If you want to write, write, don’t worry about your audience or how you might write a best seller, just get writing, for the sheer love of it. It’s the same with all of it, do it because you love doing it, it doesn’t matter what anyone else things.

The soul seeks expression and will be so happy if you just get on with it. Start noticing your cycles too, because there will be a part of your cycle, whether you are menstruating or not there is still a cycle,  where you will feel more in your creative space than at other times. So embrace those times and try not to force yourself to be creative when the time just doesn’t feel right. Go for a walk instead, lie on your mat and enjoy a yoga nidra. The time will come and then you just got to embrace it. 

Kamalātmikā: Opening to female sexuality

I’ve been procrastinating about writing about the third Mahāvidyā, the third goddess that I shared at yoni yoga last Sunday, Kamalātmikā, because her power is the capacity for experiencing pleasure and delight in abundance; she is sexuality and intimacy! We don’t tend to have intimate conversations, even with those with whom we are most intimate, intimacy brings up our greatest vulnerability and there’s a certain intimacy in even writing about sexuality! 

Kamalātmikā is the radiant goddess of delight, she is always associated with abundance, love and beauty. Of all the Mahāvidyās, it is only Kamalātmikā who is always beneficent, all the others have weapons or fearful aspects. It is Kamalātmikā alone whose abundance and grace is always generous and giving. As Uma Dinsmore-Tuli writes: 

“In relation to sexuality, Kamalātmikā’s radiant beauty and abundant generosity reveal the deep and continuous capacity for delight that experiences of conscious sexual fulfilment can bring throughout our lives. Hers is a powerful siddhi that connects us with the power of pleasure as a spiritualising force. When we explore the full spectrum of female sexuality, then the experience of the spirit of sexuality not only includes pleasures we bring to ourselves and those we share with others, but may also include periods of celibacy.”

As the tenth Mahāvidyā she often stands beside Kālī and their relationship is deep. Kamalātmikā is the beauty and delight unfolded into the physical and material realm, whereas Kālī is the beauty of the void from which everything manifests, and it is only by absolute surrender to Kālī that the true grace of Kamalātmikā can shower upon us – surrendering is not always easy as we know, it can be very messy, and nowhere more are we required to surrender than in the quest for deep sexual pleasure and orgasm as a form of spiritually-orientated blissful experience. 

Uma writes, “If we are attracted to the power of delight and pleasure on a superficial level – for example if we pursue sexual experience for the gratification of unconscious needs or the acquisition of status and power – then, inevitably the lotus goddess of delight will show her other form, and the hands that shower down the golden coins and abundant water will become the hands that hold the bloody chopper and the severed head. The immense power of pleasure is, when pursued without consciousness of its spiritual dimension, a potentially destructive force that can deplete, demean and/or disempower us.”

So it goes that Kamalātmikā shows us that sexual fulfilment is not so much delight and pleasure at a superficial level but an opportunity to access much deeper parts of being, that literally enable us to access more of the bliss body, of pure being. This can be healing, not least because of the depth of surrender that is involved, beyond our inherent vulnerability,  but in the way that this enables us women to step into – and unblock – our power, allowing shakti, the female creative essence, to flow where it is most needed.

Uma argues that “if our relationship with the siddhi of Kamalātmikā becomes distant, if we lose our connection for whatever reason with the true nature of our sexuality, then we become exiled from the source of our identity and vitality…We have long been exiled. The deep freedom of loving sexual expression as women is our motherland. But we’ve been away so long we don’t even know what it feels like to come home”.

The term ‘yoni’ means cunt, vulva, womb, source, home, or place of rest. We return home when we connect with this space in our body, upon which yoni yoga and Uma’s womb yoga is centred. It is a deeply healing approach to yoga practice for it literally helps us to come home to ourselves, in the very place of power (shakti) in our bodies. It enables us, if we allow it, to take us to deeper places in ourselves that we didn’t even know we were exiled from until we feel the depth of sensation and surrendering that an awareness here brings. 

 Female sexuality is not something that is freely talked about such is our cultural and societal limitations. This is a culture that still regards menstruation as shameful and should be invisible. This is a culture that teaches women to ignore the ebb and flow of their cycle and pop themselves on a pill through fear of pregnancy and termination, and in the process disconnecting them from the naturally arising cycles of sexual desire, and denying them the opportunity for inner understanding of the links between menstrual cycle, sexuality and fertility.

 This is a culture that lies to women about what to wear and the various cosmetic, depilatory and surgical activities, which are frequently undertaken to try to ensure that the female body is  considered glamorous and sexually attractive to men according to standards set by those in the porn industry. I could write at length at the myriad ways that women are asked to sell out on themselves trying to be something that ultimately takes them away from an authentic encounter with the energises of their own unique sexuality.

Instead they sell out to patriarchy and capitalism, giving up true beauty and the spiritual power of genuine and loving sexual encounter, because they are told that this is how it should be. It’s not just the pill that is the problem, but the whole deal, the high heels that suffocate feet and damage spines, the surgical alteration of breasts and vagina, the wearing of toxic chemicals in the quest to ‘smell nice’, and the potential damage done by wearing underwired bras, which have been the focus of debates as to whether or not the wearing of them contributes to breast cancer. 

Deadly to women too, and as Uma writes, is the “repeated experiences of conventional thrusting hetero-sex that involves rhythmic friction between penis and vagina without prior adequate female sexual arousal, such as that practised in most bedrooms and aggressively promoted on every porn channel/internet site in the world, causes long-term damage and desensitisation of female genitalia, to the point where many women are unable to experience vaginal, uterine or G-spot/blended orgasm. Tied into the expression of women’s sexuality is also a deep fear of the dangers to which it makes us vulnerable; the dangers of verbal and physical abuse, of public humiliation and rape. Our culture permits hardly any safe spaces for the genuinely free exploration and expression of female sexuality”.

It’s a sorry state of affairs where women are encouraged to sell out on themselves, give up on their inner arisings and feelings in the quest to look a certain way to encourage sexual desire in others. This so subtle too, that we don’t even realise that we are fulfilling cultural expectations rather than allowing our own greater fulfilment, sexually and spiritually too. I know from my own experience how difficult it is to break free from this conditioning, to understand the extent to which “our culture’s conventional definition of female sexuality truly is an empty shell”, as Uma writes.

Yet when we do it can be truly liberating, to appreciate the extent that our sexuality is not based on outward experience, but comes from a much deeper place within, that cannot be bought or manipulated, that doesn’t involve us changing our breast size or the shape of our labia or shaving our pubic hair, or wearing make-up and certain clothes or shoes, or wearing our hair a certain way, or being on the pill and sexually available at all times to meet the needs of someone else, regardless of whether we feel sexually aroused or not. No, this comes from a very different place. 

The trouble comes in trying to access this deeper place. If we have experienced sexual trauma and termination for example, or a relationship that left us feeling extremely vulnerable and sexually-used then it can take time to release these experiences from our bodies, to allow ourselves to open to pleasure when all we have felt in this most sacred of places in our bodies is pain. I know from my own embodied experience how tricky this journey can be, how there are layers and levels to the pain and the holding on that prevent us from truly surrendering to any potentially pleasurable and delightful moment of bliss, spiritual or not. 

It was only through discovering Uma and her womb yoga that I began to release that which was holding me back from finding my way back home again, and this motivated in part yoni yoga, which took me into these places where the shame, anger and sadness was still held. It was these places that revealed themselves to me when my body was positioned a certain way in my practice that caused a jolt of memory, forgotten memory, such was the pain that caused me to pop the feelings and the experience into the back of my mind, and deep into my body where I could ignore them and not feel.

It was Scaravelli-inspired yoga though where the true release came. I knew that I needed to re-discover my ability to be intimate, to touch those lost parts of self that I knew were longing for expression, but that I couldn’t access. I could have continued my life as it was, in a loving relationship with a soul mate and the depth of intimacy and pleasure that that brings and yet knowing that there was another level even to this if I could allow the healing that I began to appreciate needed to take place.

I kept wondering how and then going back to sleep again, it was easier to resign myself to it than do anything about it, mainly because I didn’t know what to do about it, it’s not a conversation I have had with anyone other than a gentle soul friend in a snatched conversation on the beach before children interrupted our quick intimacy. I prayed for help as it happens, prayed to be shown the way that I might take to find my home again. 

In came Scaravelli-yoga and this took me to the soft places, the gateways and the sacred spaces where I had no choice but to peel back layer upon vulnerable layer, back to source, to reconnect to those deeper parts of self that had frozen in time with traumatic experience, sexual and otherwise, the clinical nature of IVF doesn’t help, in those moments lived that somehow tore at the very heart of me and caused me to effectively shut down from feeling the depth of pleasure, that I might have felt more effortlessly prior to these painful experiences, that prevented me from truly surrendering. 

There is a connection between the ‘low heart’ of the sacral chakra, home of the sexual organs, and the ‘high heart’ of the heart chakra. When the energy of the low heart is blocked by trauma, abuse, or any belief around sex not being enjoyable, then there will be an impact in the high heart too. It’s not just the low heart that suffers but the high heart too, and when we heal the lower heart we heal the higher heart too. I touch more on this in my book, From Darkness Comes Light, but you’ll need to wait for that as it is still being edited! 

There’s always a vulnerability in sharing so intimately but I believe it is time that we are more honest with ourselves as women and with each other women too. For we have been exiled for too long, selling out on ourselves, seeking validation for our sexual power in all the wrong ways. I know now that it is not something that is necessarily seen in outward appearance, but is an energy, something that can heal us and bring us home to ourselves in a very real way, that is not only a physical experience but is deeply spiritual too if we allow it and let go of what we think it is in the first place.

If you have found your way to these words and you know on some level, as much as you might ignore it, that there is healing needed, work to be done, a deeper connection to be made, a coming home to that sacred place, the yoni, then it is time now my friend to take the leap and slowly let go of all you thought it might be, to see what instead might reveal itself to you when you go gently…into…that…space. Slowly too. Slowly is best. 

Find womb yoga, yoni yoga, Scaravelli-inspired yoga, an approach to practice that is both intimate and healing, pray, ask for guidance and be prepared to follow what opens itself to you. Go easy. Take your time. Invite Kamalātikā into your life and let her guide you. I’ll leave you with this quote by Annie Sprinle, in Foreqard to Sundahl, 2003, which I copy from Uma’s truly amazing book, Yoni Shakti: 

 “Our sexuality is not only something that can be used for the enhancement of intimate relationships, for physical pleasure, or procreation. It can also be used for personal transformation, physical and emotional healing, self-realisation, spiritual growth and as a way to learn about all of life and death. An honest, sexually knowledgeable woman, or group of women, is a divine and extremely powerful force that not only can inspire other women, but also have the potential to contribute to the well-being of all life on earth”.

Tārā as the guiding star: the menstrual cycle

This week’s Mahāvidyā, is Tārā. She is the great wisdom goddess, whose name literally means ‘star’. She is the protectress of navigation and earthly travel, as well as spiritual travel along the path to evolution, and fulfilment and enlightenment, offering the liberating grace of divine transcendence.

In this way, Tārā is a beautifully light-fuelled reminder of the ultimate direction and meaning of all our lives, as we are each our own embodied star, containing within us the wisdom to know the direction of our path, and of our time here on Planet Earth, a beacon upon ourselves 

In the Buddhist tradition, there are a number of different forms of Tārā although her most recognised quality is that of beneficence and compassion. She is by far the most popular and greatest deity within Tibetan tantric Buddhism, worshipped throughout Nepal, Tibet and South-East Asia, and recognised as the ‘mother’, related to the very earliest worship of our Mother God.

However from a Hindu Tantric perspective, Tārā has a fierceness and capacity for violence which is similar to Kālī. She is one of the ten Mahāvidyās, which translates into English as one of the great revelations or manifestation. In Tantrism, there is the idea that the Divine Feminine is the supreme cosmic force in the universe equivalent to Brahman.  

An important aspect from the Mahāvidyā perspective is that Devi or the Great Goddess, has a tendency to manifest herself in a variety of forms so as to protect cosmic stability. The ten Mahāvidyās represent a common way of expressing the idea that goddesses can take many different forms. 

The common theme underpinning all this, is a recognition that our perceived world of dualities – male/female, pure/impure, sun/moon, good/evil, microcosm/macrocosm etc is a false one. For seekers, to know true reality is to reach a state of being where all opposites unite. 

As you may know from an earlier blog post, Kālī personifies the highest reality and ultimate truth. Blue as the sky, and equally all encompassing, to the seeker, the terrible Kālī is also the benevolent mother, the destroyer of false notions and beliefs and the primordial power that moves the universe. All the other deities arise and dissolve in her. 

Among the other mahāvidyās, none is as close to Kālī in spirit and appearance as Tārā. Second only in importance to Kālī in her importance, but like Kālī she carries deadly weapons and stands triumphantly upon the dead body of Śiva. As Dr Uma Dinsmore-Tuli writes, “Tārā has a paler complexion, but she is every bit as fierce. I understand this fierceness to be a strong compassion, a love that has the capacity to bestow deep liberation”.

The siddhi (magical power) that Uma associates with Tārā is “of trust in change as a way to be carried through difficulty”. The root syllable of Tārā’s name, tr, means to take across, and the feeling of her power is that it can carry us over and through challenge, but only if we give ourselves up to it. This is the central revelation of the siddhi of menstrual cycle awareness: that if we honour and respect the forces of change that work within us through the menstrual cycle, then what we learn about this cycle carries us through the challenges of all other cycles of change. Meeting the challenges of our experience of the menstrual cycle supports our capacity to embrace change in all other dimensions of our lives. 

Tārā’s siddhi has the capacity to carry us through the mire and confusion of suffering and difficulty to reach the solid ground of wisdom and knowledge. Tārā is also, like Kālī, a great goddess of transformation. She is the first transformation of Kālī, the primary manifestation of the force of change at work. The notion of transformation is central to the spiritualised understanding of the power of the menstrual cycle: for it is through an acceptance and understanding of the rhythms of the our own monthly cycle that we are able to accept the transformative wisdom which each of these experiences has to offer us. 

If, however, we do not take the opportunity (or are denied the awareness that makes such acceptance  and intimate knowledge possible), then the great gift of cyclical knowledge and its capacity to transform us becomes a curse. Without the siddhi of understanding and acceptance which Tārā offers us, then the greatest female siddhi of them all becomes nothing but a heavy burden. For to encounter menstrual cycles without awareness of the capacity for deep wisdom that resides within them becomes an experience of difficulty and challenge that seems to have no point, a focus of resentment, annoyance, embarrassment and shame.”

It’s in this way that we can use conscious menstruation as a spiritual practice, understanding more of the siddhi of transformation that Tārā can bring. I have been experiencing this for myself for a number of years now. It wasn’t that I was unaware of my menstrual cycle prior to this, in many respects it was my menstrual cycle and PMS that played a central role in bringing me to yoga and waking me up, but that I hadn’t worked with it as a potential practice for spiritual liberation and opportunity to access deeper wisdom. 

My menstrual cycle used to be a source of much suffering and misery. Over the first two weeks of my cycle, the follicular stage, during the time between menses and ovulation I would feel great, have lots of energy and feel relatively confident and enthusiastic about life. But then the luteal phase would arrive from post-ovulation to menses and it would be like a light switch being turned off, all of a sudden I would be flung into the darkness of depression, and lose interest and enthusiasm in life.

The closer towards menses the worse I would feel; not only depressed but also anxious, sensitive to criticism, very critical about everything, especially myself, irrationally angry, ‘flying off the handle’ at the smallest things, weepy, bloated and completely uncomfortable in my own skin. It was a really horrible experience that made me loathe the menstrual cycle and its resulting PMS (as my experience was later diagnosed). 

It was the depression that brought me to yoga and this took me to Carol Champion, a Guernsey-based nutritionist who helped me to work out the link between the intensity of the depression and my menstrual cycle, a symptom of PMS. While Carol helped me enormously, my ongoing fascination with PMS and my quest to ‘rid myself of it’ took me to Ayurveda and this took me to Uma and onto Code Red by Lisa Lister, and I haven’t looked back since.

What I didn’t know back then, was that our menstrual cycle helps us to know more of the truth of ourselves. As Dr Christiane Northrup writes, “The menstrual cycle is the most basic, earthy cycle we have. Our blood is our connection to the archetypal feminine. The macrocosmic cycles of nature, the waxing and waning, the ebb and flow of the tides and the changes of the seasons, are reflected on a smaller scale in the menstrual cycle of the individual female body. The monthly ripening of an egg and subsequent pregnancy or release of menstrual blood mirror the process of creation as it occurs not only in nature, unconsciously, but in human endeavor. In many cultures, the menstrual cycle has been viewed as sacred.”

Our menstrual cycle can show us when we are living out of alignment with our truth. Me not feeling comfortable within my own skin those last two weeks of my cycle was indicative of my life at that time. I didn’t feel comfortable in my own skin generally because I was living a life that didn’t fit. I was working in a job I hated, I was in denial of an eating disorder, I was smoking cannabis and endless cigarettes and I was drinking far too much wine and giving myself a bloody hard time about all of it, leaving me feeling depressed, anxious and full of hatred for self.

Then yoga came along, quickly followed by healthy eating and Reiki and life changed as I changed my relationship with myself and vice versa.  The bouts of depression eased as I discovered more of my heart and started listening as my soul was also allowed expression. The symptoms of PMS eased too, but I kept overlooking the cyclical nature of what it means to be a women and I was constantly trying to ‘heal’ and ‘fix’ the second half of my cycle, because it made me feel ‘darker and edgier’ than the first half.

It wasn’t until much later when I discovered menstruation consciousness as a spiritual practice that I realised that the different stages of the menstrual cycle are not meant to be the same!   We women are cyclical in nature, like the moon, we have our own waxing and waning, and the more I connected with the moon, the more I connected with my menstrual cycle and the waxing and waning journey it took me on.

I stopped trying to ‘fix’ my cycle and learned to listen to it instead, to be with it, and appreciate the wisdom it was imparting, the manner in which it was highlighting where I was out of alignment with my truth, or where I was living my life out of balance, selling out on myself, stepping too much into my masculine energy again, doing too much, being too much of, well, everything and overlooking the subtleties of other ways of being, or other interests and passions awaiting discovery if only I might get out of my own way!

This wasn’t to deny then the full range of emotions that I might feel during my cycle, the last two weeks especially, but to better understand, interpret and absolutely allow them. This has been key. Whereas once I turned away from the emotional intensity of the last week of my cycle particularly, now I turn into it, because I know that it is potentially the most informative and transformative moment of the entire cycle. 

As Dr Christiance Northrup writes: “Since our culture generally appreciates only what we can understand rationally, many women tend to block at every opportunity the flow of unconscious “lunar” information that comes to them premenstrually or during their menstrual cycle. Lunar information is reflective and intuitive. It comes to us in our dreams, our emotions, and our hungers. It comes under cover of darkness.

When we routinely block the information that is coming to us in the second half of our menstrual cycles, it has no choice but to come back as PMS or menopausal madness, in the same way that our other feelings and bodily symptoms, if ignored, often result in illness.

The luteal phase, from ovulation until the onset of menstruation, is when women are most in tune with their inner knowing and with what isn’t working in their lives.

Studies have shown that women’s dreams are more frequent and often more vivid during the premenstrual and menstrual phases of their cycles. Premenstrually, the “veil” between the worlds of the seen and unseen, the conscious and the unconscious, is much thinner.

We have access to parts of our often unconscious selves that are less available to us at all other times of the month. In fact, it has been shown experimentally that the right hemisphere of the brain—the part associated with intuitive knowing—becomes more active premenstrually, while the left hemisphere becomes less active.

Interestingly enough, communication between the two hemispheres may be increased as well. The premenstrual phase is therefore a time when we have greater access to our magic—our ability to recognize and transform the more difficult and painful areas of our lives.

Premenstrually, we are quite naturally more in tune with what is most meaningful in our lives. We’re more apt to cry—but our tears are always related to something that holds meaning for us. Years of personal and clinical experience have taught me that the painful or uncomfortable issues that arise premenstrually are always real and must be addressed.

I pay attention in this later stage of my cycle. I notice how I have a rush of energy five days or so before menses, like I did the day before my contractions started for my youngest son (my first born was birthed by Caesarean Section prior to contraction due to full grade placenta previa), as if allowing me to tidy up things. Then I notice how my energy wanes, as if it has been sucked from me, so that I do not feel to rush around and instead there is a pull to retreat from the world as I also become more critical of the state of the world I find myself living in.

This is not necessarily an easy time for my partner because I become more critical of everything and my tendencies towards cleanliness of my immediate environment become more pronounced. Fortunately I’m rarely critical to the self anymore and the anger to self has dropped away. The fire inside me still burns strongly in me though at this time, lots of pitta, resulting in less tolerance, less patience and I am more likely to snap far quicker than I might do ordinarily – I might have a ‘sharper’ tongue too, and my temperature rises, resulting in a more unsettled night’s sleep and looser stools. 

I also become more opinionated and vocal about issues close to my heart. I feel much more creative too and tend to experience an overwhelming need to write. I can write prolifically during this time too, I’m on my second blog post of the day during this time, for example, having already edited a bit of my book – the enhanced critical eye and pickiness has its benefits as I can edit much more easily, I’m more certain, less wishy washy, it’s a good time for decisions, the words come flow more easily (at least if I am in the zone – my cycle will tell me if I am not!). 

In many respects my passion and my fierceness, and the fieriness that underpins this, reminiscent of Tārā and her fierceness, which Uma explains as a strong compassion, a love that sets us free, defines this period of my cycle. Don’t mess with me! I might feel increasingly vulnerable, to the extent that I might rather not have to stand in front of students and teach yoga or Reiki if I have the choice, but I will stand up for what I believe in, and this from a place of compassion and love. 

I surprise myself sometimes, because I don’t realise until that time the extent to which I feel passionate about something, such as women’s rights to birth with a partner of choice as revealed itself to me this latter part of cycle, and women’s relationship to menstruation and the need for more women to recognise that menstruation consciousness can be used as a for of spiritual practice, rather than feared through shame, embarrassment or any of the myriad of negative conditioning that we have absorbed from society. 

But this is the thing about this stage of our cycle. The more we pay attention, the more we come to know what really makes us who we are, and where we need to be placing our energy and what needs expression and/or healing. The dark moon day, the day before menses, this is a gift, as if the veil between the worlds is lifted, there is always some insight we may receive,  transformative potential if we can interpret it, and perhaps it doesn’t matter if we can’t, because it will likely unfold anyway, once we have started to become more open and receptive to it, friendlier then. Pay attention!

Notice the moon cycle too and how aligned or out of aligned your cycle is with this. Everyone’s cycle will have a different duration, those like me who are more pitta orientated will have a more regular cycle that lasts 28-29 days, but someone who is more vata orientated will likely experience an irregular cycle and those kapha orientated will have a slightly longer cycle. It’s the same with bleeding, depending on Ayurvedic constitution, the consistency and length of menses will be different, light and short for vata, initially heavy then lighter, 5 days for pitta and heavier 5-7 days for kapha. You’ll be more prone to weepiness and emotional outbursts if vata, anger and aggressiveness if pitta and lethargy and sleepiness if kapha.

Each phase of the menstrual cycle has a different Ayurvedic quality to it too. The vata phase lasts from approximately day 1-5 (from the first day of bleeding). The kapha phase lasts from the end of bleeding until ovulation (approx. days 5-14) The pitta phase lasts from ovulation until your period starts (days 14-18). This can really help you to understand your dosha, your fault, as you notice how each phase of the cycle affects you from an Ayurvedic perspective. If your pitta is out of balance, as mine was, for example, then you’ll feel excess fire, anger and aggressiveness in the pre-menstrual stage.

When I was paying particular attention to my menstrual cycle in preparation for IVF, I was absolutely delighted when my ovulation (albeit medically created through the use of IVF drugs) coincided with the full moon, and we conceived both our boys from this full moon cycle. There is a natural affinity between the ‘full moon’ and the ‘fullness’ of eggs at ovulation. Studies suggest that more women ovulate at the full moon than they do at the new moon as if proving the relationship between the menstrual cycle and the moon - so important to know this kind of stuff if you are trying to conceive. Even though my cycle is not the 29.5 days of the moon cycle, I tend to bleed on the new moon. I know that I need to pay extra attention if this alignment shifts dramatically.

I could write extensively about the menstrual cycle as you can probably tell, how studies have found that women who work in strip bars and at trucking stops get given more tips when they are ovulating, as our bodies secrete pheromones into the air that increase our sexual attractiveness to others, and how our ‘ripeness’ make us feel more attractive and contented within ourselves and therefore more attractive to others. 

I could also write about the impact of fear and ignorance on our menstrual cycles and this siddhi. How women will willingly spend decades of their lives taking synthetic contraceptive pills or using other contraceptive implants that not only reduce their sexual response but can cause long-term health problems (think  migraine, breast cancer, susceptibility to stroke, bone density loss etc.) not to mention compromising natural fertility (many realise too late). As Uma says, “these are all desperate choices born out of fears that there are no other options”.

The point is though, that without awareness of the menstrual cycle we run the risk of dismissing the great siddhi that Tārā has to offer us. Tārā is an inspiration and our guide on the complex path of spiritual freedom. One of her cosmic attributes is to  save us or free us from the different troubles we have to face in life. She doesn’t help us to destroy these obstacles but to sublimate them and successfully overcome them, gaining greater wisdom in the process. 

In other words, Tārā helps us transcend all the inferior and ignoble aspects of our life, helping us to connect with higher aspects of self and live from this elevated perspective. In the process we are not only saved from imminent danger, of lower energies and lives that don’t fit, but she also offers us the possibility of accessing elevated and more aligned levels of spirituality. Furthermore, as the greatest obstacle to overcome is our mind itself, Tārā helps us go beyond the fluctuations and limitations of this, so that we may see ourselves and life more clearly. 

As Uma writes, “Thankfully, many women now are lifting ‘the curse’ and embracing conscious menstrual experience as a route to a spiritual wisdom that liberates feminine experience from the limitations of patriarchal cultural expectations. We can use the practice of womb yoga [or Yoni Yoga!] to address ancestral repetitions of suffering and shame around menstruation, and we can use breath, movement and awareness practice to embrace the flow if the blees, to alleviate the physical and emotional pain and suffering that may be associatedwith our experience of menstruation”. She’s right! There’s no turning back once you begin,  the path, the star, becomes brighter and we transform into more than we could ever imagine!

*If you are curious to learn more, then I highly recommend reading Code Red, by Lisa Lister, Yoni Shakti by Dr Uma Dinsmore-Tuli and Women’s Bodies, Women’s Wisdom by Dr Christiane Northrup. Also the work of Alexandra Pope and the Red School is valued by others.

Bring Kālī into our lives: the power of change and time

There is no doubt that I lost some of my grounding last week, but I have found the earth again and with that I have felt drawn back to Dr Uma Dinsmore-Tuli’s work and to the Goddess. Not that they went anywhere, just that the calling has been greater this last few days.

I have it in my mind that over lockdown and through the Yoni Yoga classes, I would like to share more on the Daśa Mahāvidyās, the ten great wisdom Goddesses, albeit I hope we might run out of time and lockdown won’t last for ten whole weeks… but one can never be sure! If there’s one thing Covid has taught me, it is to go with the flow and stop trying to make life certain and known!

It’s Kālī who I am especially drawn towards. She is the Queen amongst the wisdom goddesses and contains the whole circle of siddhis, or magical powers, within the reaches of her power. Acquiring a siddhi is a threshold between worldly and transcendental awareness, as a junction between the two and as a passing through, it is a kind of initiation.

Uma proposes that a women may encounter eight female siddhis in her life including:

·      The onset of menstruation at menarche

·      Menstrual cycles

·      Female orgasm

·      Pregnancy

·      Miscarriage

·      Labour and birth

·      Lactation

·      Menopause

Because the physical siddhis are naturally arising physical experiences, it is important to understand the difference between merely experiencing their physiological aspects as bodily functions, and recognising these experiences as potential siddhis. It is conscious recognition that transforms the physiological and physical experience into a siddhi. 

As Dr Christiane Northrup writes, “Unconscious biological instinct and biological instinct that is honed and refined by consciousness and choice are two different things”. Thus if women are able to relate to their emotional, physical and physiological experience in any of the above events as siddhis, or as sources of insight, wisdom and opportunities for spiritual expansion, then they will need to approach them with conscious awareness. 

This leads me to Kālī, the greatest of all powers, whose powers of transformation, liberation and destruction both contain and permeate the whole of life. The literal meaning of Kālī is time and she teaches us that time is an inescapable power. As Uma writes:

“Kālī is also time and change from the perspective of cyclical knowledge; for the way that time is measured out in women’s lives is through the repetition of cycles, each one the same yet different from those before and afterwards. When we place this powerful goddess as the protective entity around the cycles of our lives, we embrace the inevitability of chance as a potential for great wisdom and understanding. Kālī in her closeness to death and darkness, shows us the necessity for self-acceptance and surrender. Her mahā-siddhi, or great power, is the power that comes with acceptance of change, and the willingness to let go in order to grow.”

I feel that this is pertinent for us all now. This is a great time for change and for letting go. We were given the opportunity here in Guernsey during the lockdown in 2020 and the opportunity has come again. I really do feel that there is a significant power around us right now, a true opportunity for wisdom, insight, spiritual growth and raising of consciousness, if we are able to surrender into all that life is giving us rather than turning away from it.

As a true pitta kapha, I have always struggled to let go of things, of past experiences and of believing that things have to be a certain way. Perhaps it’s for this reason that I have been drawn to Kālī these last few days, because I know that this is absolutely a time of change, of letting go of the picture we have in our heads of how we think it should be, and opening ourselves up to something that has yet to be lived and experienced.

Uma continues, “At its most profound level, Kālī’s siddhi empowers us to drop the limitations of who we think we are in order to encounter the limitless potential of what we can become. Kālī invites us to surrender completely any ideas that come from a desire to fix or define our sense of identity. To access the unlimited powers of her siddhi requires that we allow a part of us to die, the part that most strenuously asserts that it is the very source of our identity: our idea of who we are”.

The idea of identity is a challenging one for us women, because the notion of what it is to be a woman have been manipulated and changed by patriarchy. I joined a series of lectures on goddess led by a high priestess of Glastonbury and I was amazed to see the way in which the depiction of women changed when patriarchy came in. Prior to patriarchy, images of women were drawn and carved with full breasts, hips and thighs and a soft belly – women were powerful for they created new life and these child-bearing aspects of her were revered and celebrated. Many of the images did not show her face, for this was not deemed important. 

Then patriarchy came in and the image of women changed. Now she was sexualised with pert breasts, now covered, seductively, and longer thinner limbs, a face and hair, a clothed body with none of the fullness that was evident in the early goddesses. Her power was taken away. The maiden was objectified by men, menstruation was seen as dirty and birth kept hidden, the mother was no longer revered for bringing new life into this world. The wise crone was no longer celebrated either, her wisdom lost.  

Even now, we expand a huge amount of energy on attempting to fight off the signs of ageing. Still society celebrates the body and face of the maiden. Women have a hard time transitioning from maiden to mother, not least because of the demands on, and changes to her body, coupled with the overwhelming reality of life lived with a new baby and the constant sleep deprivation and need for lactation, but because of the loss of identity living as we do in a society that still only values the maiden and her youthful beauty. 

 As Uma writes, “Whilst it is deeply frightening to let go of the idea that we can always appear to be a certain way, with the passage of time it is absolutely inevitable that Kālī’s power needs to be faced. Such is her power, that if we choose not to engage with its effects through conscious acceptance and willingness to surrender, it will get to us in the end through suffering, grief, bitterness and regret. In relation to the cycles of a woman’s life, what Kali siddhi offers us is the immense power to recognise that the only constant is change itself. In our youth, our menstrual cycle teaches us this lesson over and over again, and the sooner we wake up to what we are to learn, the sooner we are able to embrace our limitless power and potential to live life in freedom”.

It’s fascinating to me, because the menstrual cycle prepares us for the changes ahead, and for what it means to be a cyclical woman living in touch with our cyclical nature, if we choose. We are the micro of the macro and we wax and wane as the moon does too. My boys have a bonkers barometer for me, I’m more bonkers at certain parts of the moon cycle apparently! I’m no doubt more bonkers at certain parts of my own cycle too, and in the moments when I am encouraged to transition from one way of being to another, because it is always messy!

My yoga teacher always says that yoga is teaching us to die well. By that she means that our practice can give us the opportunity to cultivate the ability to let go with ease and grace. Our every practice is an opportunity for this. I clung to my vinyasa practice for many years, and the transition, the letting go, to something kinder and gentler and compassionate, more aligned with who I wanted to be, was tricky for me. My identity was tied up in my yoga practice and on what I felt it was giving me physically. 

But the process taught me to trust the practice, that this takes us from one way of being to another if we allow it. But more often than not, we cling on through fear of something, of having to go deeper often, of having to be honest with ourselves to the extent that we can no longer ignore that inner voice that knows that there is more to us than we are allowing, another identity if we can only get out of our own way and die to the world as we know it.

Life supports this process too if we allow it. Those shifts from one way of being to another, of maiden to motherhood and on to wise crone, from menstruation to menopause.  And those cycles from one identity to another, of one way of expressing ourselves in the world to another. But all of this with conscious awareness, of being open to life as it unfolds moment to moment.  

I feel that lockdown here in Guernsey, the virus then, the corona-virus (corona = crown) is bringing with it an opportunity for significant change, of spiritual growth and a shift in individual and collective consciousness. Not only is the wheel turning again as we move into Imbolc and the stirrings of spring, but there is a turning into something wiser and deeper and more authentic and real if we allow it. 

This is a time of conscious acceptance and surrendering, of letting go of who we think we are, and who we think we have been, to become the person we are now meant to be instead. We might not know what that means and how that looks, but we can take comfort in knowing that it will only ever be for our highest good.

If this resonates with you on any level, then call Kālī into your life, but be prepared. She is a force to be reckoned with, a power like no other. She is heavy so that the weight of her power can spiral out to influence the movement of every cycle. She is also the power of time and change, these being the only true constants. So we embrace all of this; we are like stars in the night sky that appear to be fixed but are in fact wheeling around in a constant heavenly dance of shifts and change.

In our practice, we encourage change. We settle into the watery element of the pelvis, spiralling and moving, as we go with the flow in the outer world too. We find our roots, that which holds us steady, and we find our heart too, and open this to the world as if the one and only thing we might ever do with our one life is take the risk and love and create, over and over again.